To break
To break

2017, two hundred pounds of unfired porcelain, bent white oak, 25 x 30 x 96 inches.

A sedimentary take on John Deer's 1837 invention and the colonizing of the plains.

 2017, two hundred pounds of unfired porcelain, bent white oak, 25 x 30 x 96 inches.  A sedimentary take on  John Deer's 1837 invention  and the colonizing of the plains.

2017, two hundred pounds of unfired porcelain, bent white oak, 25 x 30 x 96 inches.

A sedimentary take on John Deer's 1837 invention and the colonizing of the plains.

Untitled (sweeper)
Untitled (sweeper)

2017, pine, prairie grass, 10 x 48 x 4 inches

After a Black Square III
After a Black Square III

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

After a Black Square II
After a Black Square II

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

After a Black Square III
After a Black Square III

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

After a Black Square V
After a Black Square V

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

4oz Graphite Claw
4oz Graphite Claw

2017, bent and carved poplar, carved graphite, 6 x 9 x 4 inches

As If Two
As If Two

2017 reclaimed shaker style chairs and natural rush, 36 x 55 x 19 inches

Not a Country at All, Installation view
Not a Country at All, Installation view

2017

To break
 2017, two hundred pounds of unfired porcelain, bent white oak, 25 x 30 x 96 inches.  A sedimentary take on  John Deer's 1837 invention  and the colonizing of the plains.
Untitled (sweeper)
After a Black Square III
After a Black Square II
After a Black Square III
After a Black Square V
4oz Graphite Claw
As If Two
Not a Country at All, Installation view
To break

2017, two hundred pounds of unfired porcelain, bent white oak, 25 x 30 x 96 inches.

A sedimentary take on John Deer's 1837 invention and the colonizing of the plains.

2017, two hundred pounds of unfired porcelain, bent white oak, 25 x 30 x 96 inches.

A sedimentary take on John Deer's 1837 invention and the colonizing of the plains.

Untitled (sweeper)

2017, pine, prairie grass, 10 x 48 x 4 inches

After a Black Square III

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

After a Black Square II

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

After a Black Square III

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

After a Black Square V

2017, woodcut, 45 x 60 inches

Based on a single square of burlap cut to the size of Kasmir Malevich's iconic painting The Black Square. The burlap was then manipulated and distorted, in an effort to re-materialize the body of the square. The subsequent forms were then further translated through the grain of the hand-carved woodblock.

4oz Graphite Claw

2017, bent and carved poplar, carved graphite, 6 x 9 x 4 inches

As If Two

2017 reclaimed shaker style chairs and natural rush, 36 x 55 x 19 inches

Not a Country at All, Installation view

2017

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